LabRat

doap. looks gewd bruh

Did he do the gif too?

Undoubtedly one of the best bundles out there for producers. I'd safely say we all bought at least 1 version of this. So 11 came out recently and quickly tell you what's available. Alternatively, you can jump on the NI website and do more research on the individual products. https://www.native-instruments.com/en/specials/komplete-11/ We now have 3 versions - Komplete Select, Komplete and Komplete Ultimate. Komplete Select - "The Essentials" AU$299.00 A USB loaded over 2,500 sounds and 25gb+ instruments and effects. Products included with Komplete Select - Massive, Reaktor Prism, Scarbee Mark 1, Solid Bus Comp, Drum Lab, The Gentleman, Vintage Organs, Monark, Retro Machines mk2, West Africa, Replika. Komplete - AU$899.00 or upgrade for AU$299.00 An external HD loaded with over 13,000 sounds and 155gb+ instruments and effects and 45 products. Comes with NI's flagship products including their brand new synth, Form. Also new in K11 is Reaktor 6, Una Corda, India, Replika, Strummed Acoustic and Kinetic Metal. Komplete Ultimate - AU$1,699.00 or upgrade for AU$599.00 An external HD loaded with the lot! Over 18,000 sounds, 500gb+ instruments and effects and 87 products. Comes with Symphony Essentials, Flesh, Emotive Strings, Replika XT and the rest of the NI catalog. For someone starting out, this is hands down one of the best ways to start when entering the world of 3rd party plugins. Having the 3 products offers a more diverse price range to cater for your budget. Buying these products individually easily equates to a lot more than the prices they're offering, so I wouldn't freak out too much about the prices of Komplete and Komplete Ultimate. I haven't really given much away here, no did I intend to review each product. This is just a quick heads up for anyone looking to update their library or start building one. Check out the NI website above and browse their products for a better gauge on what you're getting.

people are not all there in the head

pull your technics apart and hydro dip it for cheap cheap

he's a bit like that. props to him

saw this one earlier in the year. i think it's no surprise that this comp along with the ITM awards is a load of shit, but it is what it is, it gets people talking about it and i guess that's goal achieved. i personally don't care for this, the ITM's or even the PDMA's (Perth Dance Music Awards) when that was a thing... i'd care very much about winning a grammy though

It can be. Just depends what you're trying to achieve really

Sometimes I run a buss channel other times I just have it on individual tracks - depends how I feel. Also depending how I feel, I'll use a compressor or lfo tool. Sometimes using the lfo tool makes it a bit cleaner for me when it comes to compression. If I'm working on some bass stuff I'll use a compressor because I want the kick and sub to be clean. Otherwise on the 4x4 stuff I'll just use the lfo tool

?☄️?⚡️???

Nightlfile is a system that allows you to play music across your venue. You can split the zones to play different types in different rooms at the same time. Like Mitch said it's just a fancy jukebox that plays music videos too. You pay a fee each month (or year) to have the system and it's totally customisable. You can create playlists to suit different moods and there's thousands of tunes updated frequently. Some people DJ using the nightlife system too but it's not overly exciting.

nightclubs i can't see changing because that'll be stupid and weird. Bars and functions i can and i could see that all change fairly quickly. from a bar's point of view, why pay for a dj when you can spend pretty much half the money and have an interactive system where people can pick and choose what they're gonna play? it's something i would do, unless I had a particular mood you were going for and you wanted a dj or set playlist. it's definitely an interesting topic which i don't think has properly surfaced yet

some venues book a dj just to have a figure there, rather than just music in the background. i totally agree that to maximise your efforts as a dj (nightclub and festival bookings) you need to be pumping the tunes out - more complex, trying to create an image that's something different. i personally feel that most pubs that hire dj's will opt for this "digital-jukebox" thing. from what i saw that night, people loved the idea of playing what they wanted and not putting up with a cock head dj (we all hate requests but most of us could do without being a dick about it).

Yeah maybe… I would thinkfor the typical house party there was never really a big market to start with. However, I was having a conversation with a venue manager and he runs a particular version of nightlife (or something similar) and it works like a digital jukebox so punters can choose their own music. That'll be the way it goes with most venues. Side note, I would love to see live bands make a return. No hate on DJs of course but I feel like there a market for them to come back, especially with electronic dance music sounding the way it does atm

i don't think he's gonna be back until he promotes something else. i'd say just remove the comment

I'm on desktop. I can't see the emoji Mitch posted in that post though. Just a blank box but I can still see the other ones above edit: OSX

i see the little ok emoji in the first post and an arrow in the second. seems ok?

I has a mix for you my friend. It's quite a chunk taken from the last time I went live. I don't have a track list though. I'll upload and send it to you. File size may be monstrous but will determine that ones it finishes bouncing down

i don't got none mate. i'll have a look just for you

smd

See @Pending ^^ E A D

Breaks was next on my list. I'm just attacking genre by genre at the moment #yolo

Liar

i have the fastest computer in all of the land. it's better mate. good job

Cupe brah... the site has been pretty laggy somewhat since the new update. something to do with the new look or is it something else? everything else loads super fast but thing here seems slow