LabRat

most of that snazzy artwork n stuff is usually done with brushes. hit up a few tutorials. there great! ive used a few over my time at work and its helped out alot. just make sure you write things down because photoshop has sooo many things goin on at the same time you tend to forget a few

ill be getting this eventually. dubstep seems to be "breaking the ice" atm so will be good to see more of it pop up

if you use anything thats copywritted you're fucked lol try avoid it if you can

if you wanna bring in a track that doesnt have a beat till later on, usually theres a few hats or claps you can hear to match the beat. always good to hear out for hats. if theres no beat or hats and just a few ambient noises, they'd usually have a sequence so hear out for the change and try match that. otherwise, like the others said, start from when the beat kicks in

i havnt mixed out in a club so dont have any stories to report from there but you could say that mine would've been back when i was cueing up track sequences for a theater production. i wrote originals for that production and had one of my tracks cued up (was a funk track written for some dance scene) and i didnt double check my levels so when i hit play and blew out the PA system lol

livesetsonline.com (i think...) google it, sign up and booyah!

you can really hear the difference between mixers hey. xone's just so clean

hey guys just a lil update. actually had this goin for a while but never found the motivation to upload a pic lol anyways, here's the XONE along with the Kaoss Pad which is finally working!

copy em all nah if it was me id give them back. just a guilt conscience id carry for a lil while. wouldnt want people running off with my shit if i left it behind

helpin a brother out. i reckon it should've been bought but desperate times call for desperate measures i guess...

beats me ay lol most of my downloads sound decent no probs

does the link work? and btw, its available for digital download on the iTunes (AUS) store

welcome along

i dont get it lol

01.watercolour__original version [05] │ │ 02.watercolour__radio edit [03] │ │ 03.watercolour__deadmau5 remix [06] │ │ 04.watercolour__emalkay remix [05] │ │ ------- │ │ 19:57 min │ │ 19:57 min │ │ 26,10 MB http://www.multiupload.com/V0RA1T26MO if this doesnt work let me know

Easy done

Hey sorry mate havnt been home and on the phone. Can I do this tomorrow? Sorry if you needed it now

im putting a guest mix together and im cheekly putting in one of the old ADJF samples CBG put together a lil while ago. should i wait for a sample we're all going to use or just throw it in anyway? i have 2 weeks

i have this 320kbs quality bla bla bla but i must say, the track sucks hard wang hey lol i can upload it for ya if you wish. have the watercolour EP

kick it old school

lol me first

haha no im not trying to. i think Jimbo did that already by posting up pics of his studio lol

lil bit of FYI Introduction Synthesizer Vocoder Introducing the Korg RADIAS Meet the Korg RADIAS! Past, present, and future come together to form one thrilling instrument that is the culmination of every synthesist's dream! With a bold new approach that is at once both daring and familiar, the RADIAS synthesizer vocoder exceeds common analog expectations and rapidly takes off for uncharted territories. Based on Korg's cutting-edge MMT engine, the Korg RADIAS 24-voice synthesizer vocoder offers a variety of synthesis algorithms together with multiple effects, new comb filter and wave shaping features, modulation sequencing, as well as new formant-motion vocoding. RADIAS offers an innovative design that can be custom configured to suit your set-up. The control module can be used independently or teamed with a unique dedicated keyboard, creating a seamlessly integrated instrument that delivers the sounds of the future - today! Operating System 2.0 Is Now Available! A new operating system for the Korg RADIAS has been unleashed! This major system update introduces many new features including additional Virtual Patch destinations, support for the Korg Komponent System, connection with M3 Music Workstation/Sampler, and RADIAS Sound Editor compatibility with Windows Vista and Intel Macs. Be sure to also download the new bank of sounds created by some of Europe's hottest electronica artists using the new features of Version 2.0! Innovative synthesis teamed with remarkable fidelity The heart of RADIAS beats with Korg's cutting-edge MMT (Multi Modeling Technology) synth engine, and borrows much of its modeling techniques from Korg's flagship OASYS - eliminating aliasing noise in even the highest frequencies and delivering clean, pure waveforms. RADIAS provides two oscillators for each timbre. Between them, they deliver not only modeled analog waveforms, but also formant waveforms, noise, ring modulation, sync, plus both classic and up-to-date PCM waveforms. When using the analog-modeled waveforms, a variety of oscillator modulation algorithms including pulse-width modulation, a massive Unison mode, Korg's proprietary VPM (Variable Phase Modulation) and cross modulation, can all be used to create complex sounds, even from a single oscillator. RADIAS provides a dual-filter structure, allowing the two filters to be used individually, side by side, or in series, providing for maximum versatility. Filter 1 is highlighted by a continuously variable multi-mode filter, embracing Low Pass, High Pass and Band Pass modes - and new treatments in between. This dual filter arrangement provides a vast range of sounds that would be unimaginable from just a single filter, and opens up new sonic possibilities including some fantastic comb filtering. Three Envelope Generators (EG) are used to apply time-varying changes to the pitch, filter cutoff, and amp level, as well as many other parameters. The classic and intuitive four-stage ADSR design has been enhanced with five different attack and release curves, allowing the EG contours to be crafted with new levels of precision and articulation. Two LFOs are available to apply cyclic changes to a host of synth parameters. Six LFO waveforms are provided, including the popular "Sample & Hold" stepped wave. Each waveform can be extensively modified via the Shape control, greatly expanding the versatility of the LFO section for creating highly complex types of modulation. Adding Drive can produce the distinctive warmth of a true analog synthesizer and can also distort the sound intensely to generate new overtones. The amount of Drive is dependent on the level of each voice as it enters the mixer, so you can create nuances that cannot be achieved by an external effect unit. RADIAS also offers eleven innovative types of Wave shaping - even recreating the tonal character of an electromagnetic pickup. The Drive/Wave shaping circuit can be placed in different locations in the signal chain, affecting the sound in very meaningful ways. An additional Punch Level setting emphasizes the attack portion of the sound, letting you create sounds with even more impact. Clearly, this synthesizer vocoder is a radical new instrument that unbound by conventions of the past! Dynamic modulation station Three Modulation Sequencers can change a parameter's value in discreet steps over time, similar to using sequencing control voltages (CV) on analog synthesizers of the past. The value of each step can be edited in real time using the front panel knobs. Each Mod Sequence can be up to sixteen steps long, and each can play forward, backward, loop, etc., allowing you to create very detailed filter and panning changes or complex and evolving timbres that build over time. The six virtual patches are modern versions of the patch cords found on Korg's classic PS and MS series of synthesizers, among other legends of the past. Going beyond the hardwired limits of a normal voice structure, a virtual patch provides a method for freely connecting any of fifteen modulation sources to any of fifteen destinations, accommodating even the most advanced modulation routings. Two audio input jacks and an internal envelope follower allow external audio sources to be processed, to be used as a modulation source, and even trigger the RADIAS. A powerful internal bus structure allows Timbres to be routed to trigger effects, the built-in vocoder, or as modulation sources for the step-sequencers. Formant motion vocoding keeps things moving Thanks to the included headset microphone, you can enjoy vocoding - using your voice to modulate another sound - the instant the idea strikes you, with the push of a single button. RADIAS provides a sixteen-band vocoder that allows the level and pan of each band to be individually adjusted to obtain a wide range of sounds, going above and beyond the distinctive talking music and "robot voice" effects. Our new Formant Motion function can record up to 7.5 seconds of incoming formant information (spoken words, scat singing, etc.) so that you can re-create vocoder effects even without a microphone present. Sixteen sets of recorded formant data can be stored in the internal memory. Powerful program parameters RADIAS' effect section provides a two-band EQ and two insert effects for each timbre, plus a master effect for the complete program, delivering a total of nine possible simultaneous effects. Thirty effect algorithms are provided, ranging from delay, chorus, and reverb to compressor and talking modulator. You can assign any effect parameter to the front panel knobs for instant control, providing even more versatility in sound design. Arpeggiator settings can be made for each program individually, and the arpeggiator can be applied to any or all of the timbres in a program. Six types of arpeggiator patterns are provided. Patterns can be up to 32 steps long; the gate time, velocity, and on/off status can be set for each step individually to create the exact groove you want. Swing amount and octave range are also assignable for even more detailed control. Two step sequencers can record and play back performance data, each with up to 32 steps. By applying a step sequencer to a drum kit, you can use RADIAS as a programmable drum machine. Each step supports up to eight notes of polyphony, allowing the creation of dense sequenced passages and patterns that can be played back with just one finger. With sequence editing, you can adjust settings such as swing and gate time. The two step sequencers can be set to transpose live from the keyboard, and can also be linked to create a single-step sequencer of up to 64 steps. The best sounds around The RADIAS synthesizer vocoder comes loaded with 256 programs, 32 drum kits, and 16 formant motion sets, all created by an international team of synth experts. A program can consist of up to four complete timbres, and each timbre can be assigned its own note range, output, MIDI channel and control parameters, allowing your RADIAS to perform as a multitimbral module - or one monster performance synth! Each drum kit consists of sixteen different drum or percussion instruments assigned to separate keys. In addition to calling up an individual PCM drum waveform, each drum instrument uses all of the parameters in the synth section, such as filter, EG, LFO and virtual patches to create incredibly detailed sounds. To speed up the sound creation process, RADIAS includes templates that can be used as "starting points;" and you can begin your own customization from there. RADIAS provides template data for 128 synth timbres, 128 insert effects, and 128 master effects so you can create new sounds faster than you ever thought possible. And as easy as RADIAS is to use, you'll also appreciate the free RADIAS Sound Editor/Librarian software for editing, managing and archiving your RADIAS settings on your computer (Mac or PC). A single USB connection makes transferring data quick and easy. New shape, new possibilities You can choose the RADIAS synthesizer vocoder model that's right for you; RADIAS consists of a sound module section plus a dedicated 49-note, velocity-sensing keyboard with traditional Pitch and Mod wheels. The panel layout features a lavish complement of knobs and buttons, letting you enjoy the same intuitive feel of creating sounds as on an analog synthesizer. The unique design allows the knob-laden control module to pivot up or down, and even move to the side to accommodate a laptop computer, ElecTribe, KAOSS Pad or other audio unit. RADIAS R is the sound module by itself, which can be used both as a rack mount or tabletop synthesizer.

boo lol i just bought a X:ONE42 so kinda waiting for that atm anyways. at least ill be able to use it lol

Introduction KORG’s first dedicated iPad musical instrument app! For over a decade, Korg's Electribe•R has been go-to gear for creative musicians from around the world and across multiple electronic and dance music genres. Now, you can take the power of the Electribe•R with you thanks to iElectribe, Korg’s first dedicated app; bringing the fun of analog-synth style beat making to your iPad. Best of all, the iElectribe takes full advantage of iPad’s 9.7 inch multi touch display to deliver a new style of musical instrument. Main Features Faithful recreation of the Electribe•R's entire sound engine and sequencer 64 Preset patterns ready for immediate use 8 Supercharged effects Advanced Motion Sequencing takes the iElectribe to new frontiers Available now at Apple's App Store (inside iTunes Store) for a special introductory price of $ 9.99 (US Dollars). Promotional pricing expires June 30, 2010 (regular price is $19.99 USD). Classic must-have Korg dance gear, now available as a dedicated iPad application Since its debut in 1999, the aggressive sound, unique functionality, and intuitive beat-building style of the Korg Electribe series has continued to make it a favorite of creative artists around the world. Over the years, the Electribe series has continued to evolve in new directions. The vacuum-tube equipped Electribe•MX and SX went on sale in 2003, followed by the updated MKII versions of the Electribe•A and Electribe•R. The year 2010 marks another chapter for the Electribe family with the iElectribe – one of the world’s first dedicated iPad musical instrument applications. While fun to use, the iElectribe is no toy; it brings to the iPad the legendary capabilities of the Electribe series. Sound creation is easy and intuitive. Simply touch the step-sequencer's sixteen individual step keys to quickly start a groove, pick another part and repeat. This simple and understandable interface offers an intuitive "hardware" feel that will captivate the imagination of anyone – those familiar with the Electribe's power, and those who are experiencing it for the first time! Faithful recreation of the Electribe•R's entire sound engine and sequencer Like its hardware counterpart, the iElectribe offers a four-part percussion synthesizer and a four-part PCM synthesizer. The percussion synthesizer features analog synth-style versatility, including exciting cross modulation! The sample-based PCM parts deliver realistic drum hits, cymbals, and more. Using the Accent function adds emphasis where you need it - vital for creating compelling grooves. All in all, that's eight programmable parts combined with the easy-to-use 16-step sequencer, so anyone can start creating powerful beats instantly! 64 preset patterns ready for immediate use The 64 preset patterns include familiar patterns from the Electribe•R as well as new patterns created especially for the iElectribe. The preset patterns cover a wide variety of dance music styles including techno, house, electro, trance, drum 'n' bass, dubstep, hip-hop, and R&B. Of course, there is plenty of room to program patterns that are all your own. Supercharged Master Effect with 8 effect types The Master Effect has been enhanced from the original Electribe•R, and has been optimized for use in today's music scene. The eight effect types can spice up your beats in a variety of ways that can become indispensable. Included are a chorus/flanger that fits any type of sound; a tempo-matching BPM delay; plus effects such as a grain shifter and decimator which can dramatically transform the sound. Advanced Motion Sequencing makes patterns come alive Simply stated, Motion Sequencing records all of your sound enhancing knob-twisting and tweaking so it can be memorized and replayed as part of a pattern. The knob motion of all parameters, for each and every part, can be recorded – so you can go wild and create diverse and complex patterns like never before.