eggssell

oh man did i miss that. sucks to no internet at home cant wait to hit sound cloud again.

pop that pussy - slop rock mix (thanks tomy!)

stanton st 150's, the decksaver (as in the brand) make ones for 1200 which should fit but cant find in oz and was only gonna ship em in myself on the last resort. nah ebay aint got any. was gonna make one with black stiff cardboard to match my black glass thingy, but now i have a white table so black cardboard would look out of place. any other diy methods? jonny you seen any? ill have a quick google

burn :flame: ha ha ha i never realised the CC convo was going on... stupid unread posts thingy ma jigg. yeah i love cc. must have fresh lime though. i think fresh lime makes any drink. vodka and lime on the rocks; frangelico and lime; vodka, frangelico, muddled lime & ginger beer mmmmmmmmmm back to cc, y'all tried the aged one? it rocks. i can do that on ice with some lime.

hey anyone ever see plastic covers for turntables (other then those that come with 1200's) for sale in oz?

first a geetar, now ableton. cupe you in the money this month mate! i thought your iphone case business would of been hurt by steve jobs have a free case program. (and btw i gots my iphone yest. yay. but i dont have my lappy with me cuz i lent it to someone for a week. and stupid iphone you need a computer to do anything. boo)

hey man welcomes

do you mean X1 is controlling a and d, or the cdj's are controlling a and d? anywho, in the settings, (going from my head), you can setup the input control. so if you make a and b scracth control, then ensure the cdj outs from the mixer are going into a and b of the audio 8. then with the X1, its just a midi device. so go to midi mappings and make it control which decks you want (i would of thought out of the box it was c & d?) and just make sure you have outs for c & d on the audio 8 going into another channel on your mixer. i guess maybe more info on your setup then can change, clarify the answer

then he wasn't a dj right cupe membership should come with a pin that we all have to wear. then when you gets the money you can up grade to chain. ill have one of these

yo welcome.

exactly this. just under 20 years ago when we started seeing them pop up, it was seen as djing with a toy. the dance scene became more acceptable but hip hop/rnb (i reckon mainly because of the difficulty in getting official 12" mixes in any other format) didn't accept it straight away, if they have at all. and im not talking turntablism which i think can be excluded from "djing" in these convos. in the other thread about this, i posted that cdj overview which was inciteful for me because i had only known people who use turntables and never really knew how cdj's worked, and yeah there is heaps of "helpful" technological advancements that i can see why it got uner the nose of the old school. but as ive said before i would never turn around to a cdj user now and say mate your not a dj.

sorry, of course i wouldnt underestimate the difficulty in producing a full blown track. but surely the use of sequencers and quantizing is very different to multi layer recording sound production. so surely if a controllerist is not a dj, can people who use a sequence based software be a producer, or has it gone too far from what a producer use to do. now they can even record a live musician and then tweak it out, or bang pads but get the software to ensure it remains at a constatnt beat per minute. is there no elements of the "beat match" cheating in there? i know that maybe because i know a little bit more about the dj world, and i have seen cdj dj's go from the laughing stock to be world wide club accepted that i can comment a bit better, as opposed to being a total naive prat in the producing world. maybe ill better understand if things go to plan and i start getting into remixing (i dont think im musically innovative enough to produce my own shyte but my head tells me i have some remix ides). but i need to gets djing pat down first!

yo

what i dont get is why peeps are always lobbing serato and traktor with laptop djs? traktor even more so. yes a laptop is used but you actually still have to do everything on the turntable or cdj as any other dj... my opinion i dont really care what is used, and if what they used doesnt make them a dj but a great entertainer, then i would take a great entertainer (when im at a club to dance, or listening to a mixtape) to a technically skilled dj who doesnt make me want to dance or enjoy what im listening too. of course a technically skilled dj who kills it is the top of the pops. personally i use turntables with traktor, and i can go to any mates house and use traditional vinyl no different to how i use traktor at home, except instead of grabbing multiple pieces of vinyl im hitting an mpd pad to go thru my music. whetehr real vinyl or traktor, i suck just as much so i dont see the diff and i typed this rant the last time we were having the debate but then deleted it but it always still egged me especially knowing the taht this forum is both producers and djs. and my beef was how come people are so averse to technology with djing but not producing? i remember back in the day when the word was pro tools was going to kill the production industry. that it would allow a whole lot more amateurs into the game. and ableton has made it even easier!!! are software producers having it to easy, are they not as good as the old sampler and keyboard dance music producers. is that why out of the millions songs in beatport a lot of them are shyte. is everything becoming the same same, and is using all the additional software tools taking away from how people use to produce? i mean it has definitely made it easier and more accessible. and as per my dj arguement, an old school musician who produces technically skilled crappy music, or a fresh faced teen who learns how to produce a banger on ableton, which one would you buy? or do i just have no idea how production works... which could be true, but as i said when everyone was shifting to pro tools all the old school fuggers were complaining how it was gonna kill the music production industry.

and all the vinyl peeps who say you cant scratch cdj's. better in second half

he is no kentaro though.

hey his got it setup like me, ie use a control pad to load tracks rather than just hot cueing. and finally watched the vid in my last hours of internet. and yeah that routine pretty ordinary. so he uses heaps of tracks but i gets what everyone was complaining about, doesnt sound all that (i still stand by the dancing bit, even the best routines arent made for dancing). on the other hand ive seen plenty of shiftee's and he's cool.

just pop the dvd in and mime!

now thats a friday funny +rep my son

ahh soo desu.. yeah i thinks it was, wasnt sure since you have a gazillion fans. hows the release chev

ill get this next:

you know what would be the holy grail. i remember reading dr dre mixed in 100 songs in like an hour (okay i made those numbers up but i remember it was crazy), and not all tricks like turntablists but just straight smashing songs together. and back then he was more of a electrohop artist with his world class wrecking cur, so i would love to hear those tapes if they still exist. would prob be not much diffetent to the electro rap of today. oh yeah and using actual vinyl to.

callmeyo & lloydc, but he is a turntablist, the idea isnt to make people dance during your routines? a lot of turntablists go on to make nice club djs (atrak & craze) and some go on to produce non-routine type songs albeit in the studio or work out ways to do it live (check kentaro's Enter Tour. he rocks).

however! i remember back in the 80's when nikes were hard to come by you could pick up some in the markets which rather than being "fake" were more off the truck. i.e. a lot of stuff is made in china, so these were being sold in a back market then being brought to australia. hence you were getting a lot of authentic stuff for bargain prices. same with converse (i think) and definitely starter who had factories in philippines. but i dont think companies would be that dumb these days, so id still call fake.

here you go. http://www.salehoo.com/forum/sources/tradetang-com-7315 http://www.thewholesaleforums.co.uk/for ... ng-eh.html http://www.strat-talk.com/forum/stratoc ... trats.html