SPJ

SOLD

Reluctant sale of two extremely well loved and cared for Technics SL turntables. 1x SL1200 Mk2 1x SL1210 M3D (comes in original box with manual and original dust cover!) Both recently serviced buy a reputable technician. (Both tuned too match). All lights etc 100% and working. Both come complete with gold Technics 'shadow' style slipmats. A second pair of Technics 'reel to reel' style slipmats also included. Both turntables loaded with near new Ortofon Concord Pro S cartridges and styli. Also Include both aluminum faceplates (pictured) painted in gloss black. Nothing left to spend. Just plug into a mixer and enjoy! Two of the best looking technics around. $1800 Melbourne 0422671979

Price drop $150

As new A&H XD2-53's In box with carry case Updated model with detachable cable http://www.allen-heath.com/uk/Products/ ... =XoneXD253 $180 In Melbourne 0422671979

SOLD. Mods please delete

Pm sent

If buy Rex, you mean Dex - yes. Still available - want them gone this week! 2000's have alteady already taken place....

Thanks Gremm, I have them on gumtree, but lots of time wasters I find usually... Certainly would much rather see them go onto someone from ADJF!

Sorry only pic on here Can take more specific pictures if required

I have two well cared for Pioneer CDJ 900's available only due to upgrade to 2000's. Only ever used in my home studio, never carted around etc. Come with all manuals, link cables and power leads. *Will also include two decksavers to suit* First to see will buy! $2000 0422 671 979 Sonny

SOLD

Thanks mate

I have been looking into this since going digital on my djm800... The outcome I have come to is 88.2khz is best as high quality - but more importantly, it's going to be exactly halved when compressed to 44.1 - as opposed to say 96khz which won't be an 'as exact' compression.... I'm a major amateur though - please advise if I'm way off the mark

Thanks mate. I just run on the cdj's. That being said I do have a USB hub tucked away underneath with my audio6, they run to my mac but I rarely use traktor now days.

My current setup... Love it ! http://www.freeimagehosting.net/13tuu http://www.freeimagehosting.net/tc8hd

I have the RP6's. I would certainly recommend KRK's. I have had no issues with quality at all - so much so I have purchased set of VXT4's, aand a 12-S! Yes - the Rockits are very bass heavy (extended) but are great for us Dj's, especially if Your not using a sub. Everyone always comments on the sound. I personally felt they were a little too 'hifi' for me, and decided to spin them around and they are now my computer/tv multi purpose monitors! I use the little VXT's as booth monitors and playing back my mixes, they are worth it. Mixes sound great on any stereo! The 4's do lack a little low end but I run the sub and Rockits also as my master, nice all round sound I think

KRK 12" 12S studio subwoofer As new, only been used for 30 min!! $680 - south yarra, VIC 0422671979 The KRK12s powered subwoofer is the perfect complement to KRK VXT series, KRK Rokit series, or any other 6"-10" studio monitor. The KRK12s is designed to extend the response of an existing monitor system so that the low-frequency portion of the mix can be engineered. The KRK12s features the powerful accurate and low distortion sound that is the hallmark of all KRK monitor systems. An efficient and low distortion 225-watt amplifier makes the KRK12s perfect for project and professional studio applications that require increased signal pressure. The front-firing bass port and KRK's light weight and high strength Kevlar woofer ensure a dynamic low-end punch. The KRK 12s has extensive bass management utilizing a full phase adjust and reverse, LFE input capability, Internal and defeatable Limiter, and both balanced and unbalanced inputs. In addition the subwoofer has an internal crossover which can be switched in and out of the path when muting the sub which allows full range material to be compared with and without subsonic content. A sturdy grill protects the driver cone and adds to the sleek appearance of the unit. While subsonic frequencies are heavily implemented in some musical genres, all studios benefit from the use of a sub to monitor this low frequency content. With the prevalent use of home theater systems, as well as commercial systems in clubs and cinemas - production studios require the capability to identify and correct problems such as unwanted low frequency components, exterior noise, microphone rumble and vibrations. The increase of home and project mastering means many potentially great pieces of music are being poorly represented when played back on a larger system. When dealing with subsonic frequencies if they cannot be heard accurately they cannot be mixed accurately. For decades, KRK subwoofers have been the choice for high definition low frequency monitoring including some of the most prestigious studios across the world. Now, the KRK12s provides a larger low frequency driver for enhanced performance that is within the budget of even the most modest home, or project studio. Whether you are mixing in any surround environment (up to 10.2) or just looking to upgrade the low frequency extension of your existing stereo monitors, the KRK12s is designed to meet the task. This performance is brought to you by drivers, enclosures and technology which is custom-designed by our world-class studio monitor engineering team. Features Curved Baffle Curved front plate design virtually eliminates diffraction distortion Front-firing Port provides low frequency extension while reducing boundary coupling and the unique shape is optimized to avoid port turbulence Bypass Footswitch Control allows you to defeat the sub and provide full range audio to your recording monitors for use with a standard latching inch mono footswitch Kevlar 12" Driver -High Excursion woven Kevlar driver cone Thermal and Overload / Clip Protection to prevent damage Volume Control on rear of unit allows a high resolution gain range from -30 dB to +6 dB. Metal Grill is standard to protect the driver from damage Technical Specifications Drivers: 12" Kevlar Woofer Frequency Response: TBD Max Power: 200 Watts RMS @1% THD+N Low Pass Filter: 55Hz - 170Hz Variable 24dB/Octave High Pass Filter: 80Hz Fixed Maximum SPL @ 1m: TBD Combi-Jack Inputs: (L/R/LFE) LFE Input Gain: Fixed +10 dBu XLR Outputs: (L/R) Power In: IEC Mains Connector Input Sensitivity: MUTE / +6 / -8dBu LED Power Indicator: (Logo - Yellow Triangle) Line Out Bypass: Switched 1/4" Input Variable Low-Pass Adjust: 55Hz - 170Hz Variable 24dB/Octave Polarity Reverse switch: 0/180 degrees Phase Adjust: Variable Ground Lift switch: Lift / Ground Limiter: On/Off Dimensions (H x W x D): 21.6" x 15.9" x 18.1" Weight: 33Kg $680

Here's the work bench...

I purchased a custom stand and have had it about two months now. Build quality is better than I first thought. I would highly recommend. Happy to send through some pics if someone can host them... Let me know if I can help raptor