JonnyB

im going to have alot to add here, most of it isnt mine, but very usefull knowledge

ill star you when i get home from work

because the forum is about djing, which would bring the dj's not producers, its just half the dj's produce as well. AKA us

quick Cupe make a adjf shirt and get it on tele

yeah when i finish the track ill hand out the preset if you want hah, its for massive cheers again

Tom eq's top 10 tips 1 - during a fill try filtering a long swooping pad or white noise sample reducing LF towards the drop. Maybe send it to some side chain compression too or a gate. 2 - To build a vocal or synth part up try automating a delay and gradually opening up the feedback until a drop takes place. 3 - Percussion - Send these to a buss with a nice compressor to glue the sounds together, also try a bit of sonic enhancement (BBE Sonic Maximizer) after the compressor on the chain. 4 - using more than one vocal sound, try eq'ing them differently to make them stand out/ seperate from the other samples, also try a channel strip on funny settings. I've been using the Waves SSL channel strip and using a violin preset getting a full bodied vocal different from a main vocal. 5 - mess about with pug in chains. try a compressor than add a delay effect then a reverb then a gate. why not see what happens. Bounce it all down to audio, arrange it and fuck it, add some more effects!! 6 - Kicks - Layer them, get a nice subby one, layer a clicky fast transient kick and eq to perfection. Also if you kick is full try removing 50% or so from the back of it to use as an intro kick drum. When you paste the full kicks audio after the first drop you will notice a more urgent feel. 7 - hi hats - try using an auto panner/ tremelo to get some movement in the higer frquencies 8 - Synths - Stick with one and learn it. Make you own presets and your own sounds. 9 - Analyse those frequncies - Stick a frequency analyser on the master channel. If your having trouble identifying a muddy element in your mix you can solo channels and identify tracks that may have overlapping frequencies and therefore bringing you headroom up. Eq them as need for clarity. 10 - Stop going on internet forums all the time and make music damn it!

another good idea for this. now myself im not very good at this nor claim to have it down pat, but i know people like datsik and excision use it. multiband compression so you can split your track into lows mids and highs and alter each one with out effecing the others, so youd be able to play around with the low freq's with out touching the high's. just look it up, i cant explain it very well

negative

welcome friend:)

keep em coming yo

http://soundcloud.com/jonny-b-music/remix-comp-preview

nothing wrong with a bit of extra knowledge .....

http://soundcloud.com/jonny-b-music/remix-comp-preview Sorry for the delay . probaly too early to really even be posting it but meh.

ive made probaly the best bass ive ever made for this ill try get a preview up within the hour

i could get donnie blood. he dosent do much production though, more of a dj, he does the early dubstep sets for starfuckers, aparently he went off at future music!

chev, got a preview? im gonna be uploading a sneaky preview tonight sometime

Cupe....i demand more interview's try get a dubstep artist or something boot n sook. big names from sydney

worked fine man going to go for a pretty heavy dubstep approach starting now

ive tried downloading this about 7 times and each time it finishs i get 'decompression failed. fml. i just want to start this remix

just saw your a dubstep label, think you will get a few quality dubstep remix's from here.....well at least me and chev anyway

howdy

http://soundcloud.com/jonny-b-music/nightscream-jonny-b changed it up a little

cheers for the heads up, going to start on this tonight

they are cause 1000's are old, its just 900's dont have those hot cues which are so damn usefull

cheers man, ill try finish it off tomorow. any ideas of what i can do for the second drop?