wazza

yes...running traktor and logic on one laptop using one sound card at the same time if your using the audio 8 sound card ....you will have 3 audio-outputs for 3 decks in traktor & one out-put for logic....and will be sync by midi clock take a look at this post...its for syncing traktor & ableton.....but the concept & set-up is the same for traktor & logic http://www.ausdjforums.com/modules.php? ... pic&t=4015

no need to add to this....foolish is right on the money

use midi clock from traktor , sycn into logic & use the maschine software as a vst in logic

I'm not with the foolish on this one power speakers are shit... why...if your playing a gig outside for 4 hours at 12 at night , the air temperature is cold , and the amp's in the speakers are getting hot....because the lack ventilation you get water condensation will biuld up in side the speaker & in time will fuck the circuit board & tranformer

I'm with the Foolish one on this one... never ,ever , ever wind your power cables around your arm your power cable will get twisted inside the outside sheild...and over time will brake and will fuck'n kill you

when you cue....hit the play button , the track starts, hit the play button again for pause at the bit off the track you would like to cue... now jog/search to the right spot...now hit the cue & now the cue will be saved

do you have firewire port on your laptop..??? I have a edirol fa 66 sound card going cheep if you need it this sound card shit all over the numark I/O rrp for the edirol fa 66 is still over $700 https://www.storedj.com.au/products/EDI-FA66 for $200 will also give you mixvibes cross software and mixvibes time code vinyl for free

DENON 3700 & DENON X1600 will give you all you are looking for with no need for time code or traktor sound card

just got a new http://img808.imageshack.us/img808/8504/korgkaosspadquad.png' alt='korgkaosspadquad.png'> Uploaded with ImageShack.us this thing plug to my Rane ttm 57 serato mixer Flex-fx loop ( EFX send & return ) ..so I can have korg kaoss pad EFX on channel 1 or channel 2 or both at the push of a button on the mixer

on your DDJ-s1 ,you have 3 knob that sit Above the the seven-band VU meters....one is master output {the volume for the amp/speakers} ,one is headphonos cue {the volume for your headphonos } one is headphono mix ..............use headphonos mix

Serato scratch live ......on a Rane ttm 57 sl mixer & novation dicer soon to have the Ableton bridge controlled by my pcr 500 midi keyboard ,my Roland mv 8000 midi sequence / Audio sampler & a I-Pad App http://iximix.com/index.php?option=com_ ... &Itemid=90 have used itch on a friends vci 300...for small partys....I love this little midi controller The vci 300 with itch is why better than my mixvibes vci100

yes... whitelabel.net is good & free & easy to use and only for serato users

click files...to find the audio /track on your hard-drive..drag & drop to all audio .. then drag & drop the same file into one of your named crates

maybe it will work...by usb into the p.c input by HID midi take a lot of $$$ and time to make it work a better way would be to use a laptop into the CDJ pc input by HID midi ( no time code needed ) and get a set off novation dicers

& this to

sound like a drive-roller problem...not a hard fix

1)....yes if you had traktor scratch pro 2 you can use or S4 for EFX & as a mixer with TT using traktor time code vinyl 2)...there are alot of 1200 in Japan thats where thay are made & in NZ we get rip-off a lot in OZ for RRP in japan power is 120v not 240v

that was very cool......love the 909 mixer I think the 909 is still the best 2 channel mixer made I have a love /hate thing with my 909 because my 909 is still fucked and not fixed

I with both off you on this one.... being all most 40 & in the d.j game 20 yesrs ,I see the old toe-the-line fart d.j's all the time the funny thing is ...all the old toe-the-line fart d.j expect me to be just like them....& all the new kid d.j's assume I'm like them too.. To me rap / hiphop music is just a way for someone to express them self creativity

nice TT the TTX....is it the USB one ???

I'm one off those old fart's......yes hip hop was good back in me day ( the first hip hop L.P I got was the first hip hop L.P to go gold ).. but I'm all for the new shit ...Music & d.j technology its funny that all the scratch kids think the 1200 are the best for scratching because someone said they are my vestax pdx 2300 pro & pdx 3000 mk2 shit's all over the 1200 for scratching

from the boyz over at http://www.skratchworx.com/newspage.php ... fn_id=1728 Kutski's take on the Amen Break Posted by Gizmo on June 9, 2011 -------------------------------------------------------------------------------- There are just a handful of common threads that bind the numerous genres and sub-genres of dance music all together in a coherent mass of arse shaking and floor stomping. It matters not if you're spinning vinyl to underground Hip Hop heads, or performing next level controllerism on an iPad - drop the Amen Break at the right time, and all hell breaks loose on the floor. Such is the greatness of the classic 6 seconds of the Winstons "Amen Brother" track that entire genres of music have been based on it. So BBC Radio 1's Kutski dug deeper and made an hour long radio documentary into the Amen phenomenon and finds himself questioning the morality of borrowing samples. To be quite honest, when I first heard that this documentary had been recorded, I smacked my forehead as a rather famous one by Nate Harrison had already done the rounds years ago on Youtube. Nate talks about the wider issues of copyright and if it's OK to simply lift copyrighted material with little regard to the original artist. Seems to me that some producers are free and easy with other people's material but get litigious when their own gets stolen. But Kutski has gone into it a little deeper, talking to key artists who have used the Amen Break, and also tried to work out what makes it so damned good. Expect lessons on ratios and divinity. But the realities of sampling the break for free kick in when Kutski tracks down and talks to Richard L Spencer, the singer from The Winstons, who imparts the sad knowledge that drummer Gregory Coleman died homeless. When you hear that terrible news, it does make you think about not only the legalities of sampling, but also the morality of it. The original musician died broke while others steal his work and endlessly profit. Imagine how you'd feel if someone took your creativity, didn't pay you and made shedloads of cash from it? It's an interesting voyage that Kutski has been on. As a DJ, he said that he didn't see too much of an issue lifting breaks and using them. But having spoken to The Winstons singer, he seems to be having second thoughts about his position. Perhaps the artists who have used it could contribute a little to a fund to support Gergory Coleman's family. His work has after all given so many people income, and in some cases a career. Anyway, country restrictions allowing, you can listen to Kutski's documentary through this link. It's up for 4 more days, but I'll be grabbing a copy to listen to offline. And if you look for it, I'm sure it'll pop up here and there as well. Obviously, I can't post those links as they're copyright to the BBC. Footnote - I wonder if the BBC had to pay to use the tracks that sample "Amen Brother" for the Kutski documentary? Now that would be a kick in the nuts with the boot of irony for the Winstons. --------------------------------------------------------------------------------

nice...I like his flow & I like how its was not some try hard G shit...

LOL... you go GIRL....you boyz leave my little sister alone or I will FUCK YOU UP